Sonata in C Major, K. 279: Mozart's K. 279 is an expressive work marked by its charming melodies and delicate ornamentation. The first movement introduces a lively dialogue between the hands, while the second movement contrasts with a more introspective character. The concluding movement is a spirited rondo.
Sonata in F Major, K. 280: K. 280 showcases Mozart's mastery of form and structure. The opening Allegro assai is characterized by its uplifting theme, followed by a graceful Adagio and a lively Presto. The sonata reflects Mozart's ability to infuse elegance and sophistication into his compositions.
Sonata in B-Flat Major, K. 281: In K. 281, Mozart explores a rich palette of emotions. The first movement features bold harmonic progressions, leading to a soulful slow movement. The concluding movement, a rondo, is marked by its playful character and virtuosic elements.
Sonata in E-Flat Major, K. 282: Mozart's K. 282 is a gem of expressive lyricism. The opening movement is characterised by its melodic inventiveness, while the Adagio unfolds as a beautifully crafted cantabile. The final movement, marked as a minuet, provides a delightful and elegant conclusion.
Sonata in G Major, K. 283: K. 283 is a delightful and buoyant work. The first movement exudes joy with its sprightly theme, followed by a reflective Andante. The concluding Presto features lively rhythms and showcases Mozart's playful use of musical motifs.
Mozart's exploration of diverse moods and technical brilliance in these sonatas highlights his genius and enduring influence on classical piano repertoire.

Giuseppe Greco, born in 1990, is a pianist of remarkable prowess. With a degree earned at 15, he garnered top honors and distinctions under the tutelage of V. De Filpo. Recognized for his warm and full sound, Greco's technical brilliance, praised by Bruno Canino, transcends mere virtuosity, consistently enhancing the expressive depth and meaning of the music he interprets. A laureate of prestigious competitions, Greco continues to captivate audiences with his profound artistry and dedicated contributions to classical music.

The comprehensive recording of the complete sonatas was meticulously crafted by engineer Alessandro Simonetto, employing two pairs of Bruel & Kjaer microphones and Prism Sound pres/converters. This approach ensures a high-quality and faithful representation of the nuanced performances.