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Chopin, F.: (Complete) Mazurkas [2-album set]
Chopin, F.: Piano Works, IV (Valses Op. 34; Nocturnes Op. 32; Sonata No. 2 Op. 35; Mazurkas Op. 30)
Chopin, F.: Piano Works, III (Ballades Op. 23, 38, 52; Mazurkas Op. 50; Impromptu Op. 51; Polonaise Op. 53 'Eroic')
Chopin, F.: Piano Works, II (Sonata No. 3 Op. 58; Valses Op. 64; Mazurkas Op. 59; Polonaise-Fantasie Op. 61)
Chopin, F.: Piano Works, I (Ballade Op. 47; Mazurkas Op. 63; Nocturnes Op. 62; Prelude Op. 45)
Piano Favourites: I (Mozart, Beethoven, Schubert, Chopin, Mendelssohn...)
Various Composers: Liszt, 'La Campanella'; Clementi, Beethoven, Chopin, Liszt, Busoni
Schumann, R.A.: Album fuer die Jugend (Album for the Young), Op. 68 (extended version, II)
Schumann, R.A.: Album fuer die Jugend (Album for the Young), Op. 68 (extended version, I)
Liszt, F.: Années de pèlerinage, S 161 - Italie

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Chopin, F.: 24 Preludes Op. 28 & 4 Scherzos

Giampaolo Stuani, Piano

Album(s): 1

Album catalog: OC17061a
EAN/UPC: 0/634065037307
Original audio available @ 44.1 kHz * 24 bits

 

Album content:

Chopin, F.: Preludes Op. 28 [24]
Chopin, F.: Scherzos [4]

Description:

Within these very small frames, Chopin captures a universe of feeling and mood. There is a prelude for each major and minor key; many of them demand high virtuosity. James Friskin writes: "Perhaps no other collection of piano pieces contains within such a small compass so much that is at the same time musically and technically valuable". Schumann thought them "eagle's feathers, all strangely intermingled. But in every piece we find his own hand-Frederic Chopin wrote it. One recognizes him in his pauses, in his impetuous respiration. He is the boldest, the proudest, poet-soul of his time". Finck feels that "if all piano music in the world were to be destroyed, excepting one collection, my vote should be cast for Chopin's Preludes. There are among Chopin's preludes a few which breathe the spirit of contentment and grace, or of religious grandeur, but most of them are outbreaks of the wildest anguish and heart-rending pathos. If tears could be heard, they would sound like these preludes".

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Credits:

Recorded @ N/A, 2003
Sound engineer: Pietro Mosetti Casaretto
Equipment used: N/A
Instrument(s) used: 9-foot Steinway D piano
Photo/paint on cover: N/A
Artwork: ©OnClassical
An OnClassical production, ©2003

   
 

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