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Equipment

Microphones.
- AKG: C414 BULS [matched pair]
- B&K: 4006 [matched pair]
- Neumann: type 180 [6], type 140 [2], U87 [matched pair], TLM 103 [1], M 147 [tube]
- Sennheiser: 8020 [2], 8040 [2]

Cables and stands.
- Cables (Klotz, Proel, Cordial), as short-as-possible, w/ low impedance values.
- Neutrik pins.
- Manfrotto stands (heights of even 13 meters for the recording of high positioned organs)!

Preamps.
- Amek/Neve, 9098 [2 x 2 channels]
- Prism Sound, Maselec [1 x 4 channels]
- RME (see below)

AD/DA Converters.
- Prism Sound, ADA 8
- Apogee Rosetta 192 kHz / 8 channels
- RME OctaMic 192 kHz / 8 channels
- RME FireFace 800

Platforms:
- Apple!

Headphones.
- AKG 701 [2], 240, 270
- Sony MDR 7506

Monitor & loudspeakers.
- Dynaudio, BM 6A
- KSdigital, ADM 4 (with final amplifier)
- Triangle, Altea (3 ways)

Amplifiers & CD readers:
- Audio Analog Puccini 70
- Cambridge Audio Azur 650 C
- Denon DCD 655
- Tascam 700

Digital recorders.
- Korg MR 2000S [stereo]
- Sony ES67 [stereo]
- Tascam DA-P1 [stereo]

Other specifics.
- Technics: stereo, multitrack (not limited to Decca tree, ORTF, NOOS) including some of personal invention.
- Recording formats: PCM/WAV/BWF, PCM/A/mu-LAW, ACM, DVI/IMA, ADPCM, RAWDATA, RAW/DBL (44.1 kHz @ 16/24 bit, 48 kHz @ 16/24 bit, 88.2 kHz @ 24 bit, 96 kHz @ 24 bit, 176.4 kHz @ 24 bit, 192 kHz @ 24 bit), 1-bit audio format/DSDIFF/DSF/WSD/DSD (2.8 MHz @ 1-bit, 5.6
MHz @ 1-bit), MP3/OGG/WMA & FLAC lossless.
- Restoring of old vinyls (33'). Digital conversion preserving the original sound (no signal lost).
- Removing of background noises, scratches, clicks, chair noises, birds and other disturbs...
- 100% competent artistic direction.
- No use of reverberation! Never in ten years! Only 100% natural ambiences!

 

   
 

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