D. Buxtehude: Complete Organ Works, IV
Baroque (1600 - 1750)
Buxtehude’s organ music is not only a fascinating precursor of his great admirer J.S. Bach but a body of work full of energy and beauty in its own right, a pinnacle of the early-Baroque Protestant aesthetic. Strict and florid counterpoint, lying at the centre of Bach’s style, is less important here; rather we can hear vibrant and directly illustrative responses to the texts which lie behind the chorales and instrumental versions of canticles such as the Magnificat and Te Deum. The toccatas and fugues are generally shorter and punchier than the mature Bach’s examples, and overall solemnity is generally eschewed in favour of exuberant virtuosity.
DSP links to download (in album)
These characteristics fit well the mastery of Simone Stella, whose 3CD set of Buxtehude’s harpsichord music has already proved him a doughty advocate of the composer. As BBC Music Magazine remarked, “here we have an Italian eager to touch base with his inner Teuton, as Stella sets well-ordered lucidity above unfettered flamboyance.
The recording, a perfect-stereo one, with totally absence of any mastering effects nor equalisation, has obtained a lot of prizes around the world's music magazines including the 5 "diapason" mark.
Ciacona in c, BuxWV 159
Ich dank dir, lieber Herre, BuxWV 194
Ach Gott und Herr, BuxWV 177
Ach Herr, mich armen S
Praeludium in E, BuxWV 141
Canzonetta in e, BuxWV 169
Jesus Christus, unser Heiland, BuxWV 198
Canzona in g, BuxWV 173
Es ist das Heil uns kommen her, BuxWV 186
Praeludium in C, BuxWV 136
Kommt her zu mir, spricht Gottes Sohn, BuxWV 201
Praeludium in g, BuxWV 150
Wir danken dir, Herr Jesu Christ, BuxWV 224
Recorded at: Chiesa di Sant'Antonio Abate, Padova,
Engineer: Alessandro Simonetto
Photo/paint on cover: Johannes Vermeer: 'Christ in the House of Martha and Mary', detail (1654-55)
master is copyrighted: OnClassical, 2011