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Debussy, C.: Complete Piano Works Vol. 3 (Images inédites, Arabesques, Rêverie, Tarantelle, Berceuse, Mazurka, Valse romantique...)
Debussy, C.: Complete Piano Works Vol. 1 (Images I/II, Suite bergamasque, Isle joyeuse)
Debussy, C.: Complete Piano Works Vol. 2 (Estampes, Masques, La plus que lente, Children's Corner, Pour le piano...)
Debussy, C.: (Complete) Preludes. Book I, II [2-album set]
Piano Favourites: II (Liszt, Brahms, Debussy, Ravel, Satie, Gershwin...)
Busoni, F.: Piano Transcriptions after J.S. Bach [2-album set]
Hahn, R.: Complete Piano Works [4-album set]
Massenet, J.: Complete Piano Music
Satie, E.: Early & Esoteric Piano Works [3-album set]
Satie, E.: Gymnopédies, Gnossiénnes, Sarabandes, Sonnerie de la Rose Croix, Prélude de la porte héroïque du ciel

OnClassical | [Digital] Audio: HD (FLAC, WAV, AIFF, ALAC); MfiT (AAC) & Standard Quality (MP3):

Debussy, C.: (Complete) Preludes

Jacopo Salvatori, Piano

Album(s): 2

Album catalog: OC17102b
EAN/UPC: 0/634065037406
Original audio available @ 88.2 kHz * 24 bits

 

Album content:

Debussy, C.: Preludes, livre I, L. 117
Debussy, C.: Preludes, livre II, L. 123

Description:

Written between 1909 and 1913, Préludes are probably Claude Debussy's most important work for piano. It consists in a series of 24 short pieces, equally subdivided into two books.
Unlike Chopin's, Bach's and many other composer's homonymous series, these pieces aren't sorted by key signature. Debussy gave a title to all of the 24 preludes and decided to place them at the end of each piece. This choice is mainly addressed to the performer to encourage him to find his own interpretation but it also points out that it's the music here that will suggest the titles and not vice versa. Being certainly the peak of maturity in Debussy's musical experience, these pieces also carry the youthful energy of the author's early pieces. This combination of both aspects of Debussy's personal style gives this music an unique feature: here, music and dramaturgy express and support each other mutually, letting each idea unfold and develop achieving a brilliant balance between its strong inspiration sources and Debussy's consumate mastery of composing. Such quality is rarely to find in the repertoire of concert music, making Préludes a milestone for musicians of all sorts.
Recording taken by engineer Alessandro Simonetto, is in pure-stereo HD 88.2/24-bits using microphones Sennheiser and pres/converters Prism Sound.

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Recorded @ Saletta acustica 'Eric James', Pove del Grappa, 2017
Sound engineer: Alessandro Simonetto
Equipment used: Sennheiser mics.
Instrument(s) used: 9-foot Steinway D piano
Photo/paint on cover: N/A
Artwork: ©OnClassical
An OnClassical production, ©2017

   
 

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