Beethoven, L. van: Late Piano Sonatas, Op. 101, 106 'Hammer-Klavier', 109, 110, 111
Beethoven, L. Van: Piano Sonatas Opp. 26, 28, 49, 90
Clementi & Beethoven: Sonatinas Op. 36 - Sonatinas Ahn. 005, WoO 50-51
Beethoven, L. van: Piano Sonatas Op. 27 'Quasi una Fantasia'; Op. 13 'Pathétique'; 'Eroica' Variations and Fugue, Op. 35
Beethoven, L. Van: Piano Sonatas Op. 2; Piano Sonatinas Anh. 5
Various Composers: Liszt, 'La Campanella'; Clementi, Beethoven, Chopin, Liszt, Busoni
Piano Favourites: I (Mozart, Beethoven, Schubert, Chopin, Mendelssohn...)
Beethoven, L. van: Piano Sonata No. 30, Op. 109; J. Brahms: Piano Sonata No. 3, Op. 5
Beethoven, L. Van: (Complete) Cello Sonatas and Variations
Beethoven, Von Webern, Donizetti: Trios for flute, bassoon and piano

OnClassical | [Digital] Audio: HD (FLAC, WAV, AIFF, ALAC); MfiT (AAC) & Standard Quality (MP3):

Beethoven, L. van: Variations 'Diabelli' Op. 120 & Bagatelles Op. 126

Giovanni Mazzocchin, Piano

Album(s): 1

Album catalog: OC17072c
EAN/UPC: 0/634065037345
Original audio available @ 88.2 kHz * 24 bits


Album content:

Beethoven, L. Van: Veränderungen über einen Walzer von Diabelli (Variations), Op. 120 [33]
Beethoven, L. Van: Bagatelles Op. 126 [6]


"33 Veränderungen über einen Walzer einen Walzer von Diabelli": this is the original German title chosen by Beethoven for one of his last great bursts of musical inspiration. Even the title is remarkable, indeed, he did not choose the traditional word "Variation", but the more germanic-sounding "Veränderungen", whose approximate translation could be "transformation". As a matter of fact, the word "tranformation" fits the purpose: by going through the whole composition, the listener (and the pianist) can realize Beethoven's will for the conversion and destruction of the coarse and childish theme written by Diabelli.
The master from Bonn did not solely "kindle" the futile waltz, but also rediscovered (after the last three sonatas) the great masters of the previous century (in the two fugues) and of the Viennese school (in the last Minuetto).
Even though the Diabelli Variations constitute the master's last outstanding work for the piano, he did not use it so as to give his ultimate farewell to the instrument. While he was delving into the great string quartets, he found the time to write the final set of Bagattellas (literally "trivial things"), in which any kind of rhetoric and wish for greatness is abandoned in order to reach a lighter and fainter musical language: namely the Bagattellas are truly "romantic" creations.
Giovanni Mazzocchin, young promise of Italian pianism, gives to Diabelli Variations (aka. "Transformations") an analytical and very precise reading.
Recording is native 88.2/24-bits, captured by Sennheiser mics. and Prism Sound pres/converters.


DSP links to download (in album)






Track added to the official playlist: 'Classical New Releases: Spotify Picks' on Spotify! — (08/07/2017) 
The young Italian pianist (and computer scientist) Giovanni Mazzocchin takes on quite a challenge with these 'mature' Beethoven works. The Bagatelles are marvelously interpreted. It is also a joy to listen to the Diabelli Variations. [...] —Herbert Zoellner ***** (12/10/2017) 


Recorded @ Saletta acustica 'Eric James', Pove del Grappa, 2017
Sound engineer: Alessandro Simonetto
Equipment used: Sennheiser mics.
Instrument(s) used: 9-foot Steinway D piano, 'Ferrari-O'
Photo/paint on cover: Alessandro Simonetto
Artwork: ©OnClassical
An OnClassical production, ©2017


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